Contents
Introduction
Theatre as Cultural Exchange: Stages and Studios of Learning - Anita Gonzalez
Certain Kinds of Dances Used among Them: An Initial Inquiry into Colonial Spanish Encounters with the Areytos of the Taíno in Puerto Rico - E. Bert Wallace
Gertrude Hoffmann’s Lawful Piracy: “A Vision of Salome”and the Russian Season as Transatlantic Production Impersonations - Sunny Stalter-Pace
Greasing the Global: Princess Lotus Blossom and the Fabrication of the “Orient” to Pitch Products in the American Medicine Show - Chase Bringardner
Dismembering Tennessee Williams: The Global Context of Lee Breuer’s A Streetcar Named Desire - Daniel Ciba
Transformative Cross-Cultural Dialogue in Prague: Americans Creating Czech History Plays - Karen Berman
Finding Common Ground: Lessac Training across Cultures - Erica Tobolski and Deborah Kinghorn
Contributors