Contributions by Casey Avaunt, Gregory S. Carr, Soyica Diggs Colbert, Christopher Corbo, Andrew Gibb, LyaNisha R. Gonzalez, M. Scott Phillips, Paulette Richards, Elise Robinson, Tory L. Scarborough, Daphnie Sicre, Miriam Hahn Thomas and Shontelle Thrash
Price: $34.95
ISBN: 9780817370169
Pub Date: April 2022
Format: Paperback
Essays whose composition and editing were undertaken almost entirely within the transformed cultural and professional landscape of 2020
Contributions by Alex Ates, Becky K. Becker, Chase Bringardner, Charlotte M. Canning, Andrew Gibb, Sarah McCarroll, David S. Thompson, Jennifer Toutant and Shadow Zimmerman
Price: $34.95
ISBN: 9780817370152
Pub Date: November 2020
Format: Paperback
A collection of essays whose authors reach beyond simple definitions of citizenship as determined by documents and legal rights
Contributions by Cohen Ambrose, Rhonda Blair, Tessa Carr, Kaja Amado Dunn, Sarah McCarroll, Timothy Pyles, Lawrence D. Smith, Travis Stern and Bridget Sundin
Price: $34.95
ISBN: 9780817370145
Pub Date: October 2019
Format: Paperback
A substantive exploration of bodies and embodiment in theatre
Contributions by Aly Renee Amidei, Gregory S. Carr, Andrew Gibb, Kyla Kazuschyk, Leah Lowe, Michele Majer, Sarah McCarroll, Caitlin Quinn, Jorge Sandoval and David S. Thompson
Contributions by Karen Berman, Chase Bringardner, Daniel Ciba, Anita Gonzalez, Deborah Kinghorn, Sunny Stalter-Pace, Erica Tobolski and Edward Bert Wallace
Price: $34.95
ISBN: 9780817370121
Pub Date: October 2017
Format: Paperback
Addresses the ways that theatre both shapes cross-cultural dialogue and is itself, in turn, shaped by those forces.
Contributions by Arnab Banerji, Lisa Marie Bowler, Chase Bringardner, Marvin Carlson, Alicia Corts, Andrew Gibb, Samuel T. Shanks, Sebastian Trainor and Christine Woodworth
Price: $34.95
ISBN: 9780817370114
Pub Date: July 2016
Format: Paperback
Addresses “theatre and space” as a wide-ranging topic in theatre history, examining the myriad spatial arrangements, architectural styles, and historical contexts that inform theatrical productions, and the relationships of audiences to those spaces
Contributions by David S. Thompson, Becky K. Becker, Camille L. Bryant, Jerry Daday, Andrea Dawn Frazier, Carol Jordan, Edward Journey, Aaron L. Kelly, Ashley Laverty, Sarah McCarroll, Beth Murray, Irania Macías Patterson, Christopher Peck, Amanda Rees, Spencer Salas, Kathryn Rebecca Van Winkle, Seth Wilson and Suzan Zeder
Price: $34.95
ISBN: 9780817370107
Pub Date: October 2015
Format: Paperback
The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.
Broadway and Beyond: Commercial Theatre Considered
Edited by David S. Thompson and Jane Barnette
Contributions by Dean Adams, John Patrick Bray, Tony Gunn, Boone J. Hopkins, Jae Kyoung Kim, Jacek Mikolajczyk, George Pate, Erin Scheibe, David S. Thompson, Jeff Turner and Christine Woodworth
Price: $34.95
ISBN: 9780817370091
Pub Date: October 2014
Format: Paperback
The eleven original essays in Volume 22 of Theatre Symposium examine facets of the historical and current business of theatre.
Contributions by Cohen Ambrose, David Callaghan, Gregory S. Carr, Matt DiCintio, William Doan, Tom F. Driver, Steve Earnest, Jennifer Flaherty, Charles A. Gillespie, Thomas L. King, Justin Kosec, Mark Pizzato, Kate Stratton and Edward Bert Wallace
Price: $34.95
ISBN: 9780817370084
Pub Date: December 2013
Format: Paperback
Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual.
Gods and Groundlings: Historical Theatrical Audiences
Edited by Edward Bert Wallace
Introduction by Edward Bert Wallace
Contributions by Susan Bennett, Jane Barnette, Becky K. Becker, Lisa Bernd, Evan M. Bridenstine, Michael Jaros, Robert I. Lublin, Paulette Marty, Natalie Tenner, David S. Thompson and Christine Woodworth
Price: $34.95
ISBN: 9780817370077
Pub Date: September 2012
Format: Paperback
The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over...
