Foreword
Peter E. Siegel
Preface
Joanna Ostapkowicz and Jonathan A. Hanna
Introduction: Precolumbian Caribbean Heritage in Flux, the Old and the Not So Old
Joanna Ostapkowicz and Jonathan A. Hanna
1. Caribbean Indigenous Art Past, Present, Future: The View from the Greater Antilles
Joanna Ostapkowicz
2. Archaeological Heritage Market and Museums in the Dominican Republic
Arlene Alvarez, Corinne L. Hofman, and Mariana C. Françozo
3. The Vibrancy of “Taíno”-Themed Arts and Crafts: Identity and Symbolism in Modern and Postmodern Borikén
José R. Oliver
4. Jamaican Cultural Material: Pilfered and Forged
Lesley-Gail Atkinson Swaby
5. Spice Isle Sculptures: Antiquities and Iconography in Grenada, West Indies
Jonathan A. Hanna
6. Genuine Reproductions: Ethics, Practicalities, and Problems in Creating a Replica of a Zemi from Carriacou, Grenada, West Indies
John G. Swogger
7. Fakes, Copies, and Replicas in Cuban Archaeology
Roberto Valcárcel Rojas, Vernon James Knight, Elena Guarch Rodríguez, and Menno L. P. Hoogland
8. “Seem[ing] Authentic[ity]”: Irving Rouse on Forgeries, a Museological Perspective
Joanna Ostapkowicz and Roger Colten
9. Authenticity, Preservation, and Care in Central American Indigenous Material Culture
Alexander Geurds
10. Reducing the Market for Illicit Cultural Objects: The Caribbean and Beyond
Donna Yates
Epilogue: Real, Recent, Replica (Confessions of an Archaeologist/Curator/Puerto Rican)
L. Antonio Curet
Appendix: An Overview of the Laws Governing Archaeological Heritage in the English- and Spanish-Speaking Caribbean
Amanda Byer
References Cited
Contributors
Index