Contributions by George W. Crandell, Albert J. Devlin, Nancy M. Tischler, Michael Paller, Jeffrey B. Loomis, Robert Siegel, Philip C. Kolin, Allean Hale, Jackson R. Bryer, Barbara M. Harris, W. Kenneth Holditch and Dan Sullivan
Price: $24.95
ISBN: 9780817358419
Pub Date: May 2015
Format: Paperback
Landmark essays that celebrate the legacy of one of America's most important playwrights and investigate Williams's enduring effect on America's cultural, theatrical, and literary heritage.
Edited by Robert L. Mcdonald and Linda Rohrer Paige
Contributions by Theresa R. Mooney, John W. Lowe, Betty E. McKinnie, Carlos L. Dews, Donna Lisker, Elizabeth S. Bell, Judith Giblin James, Janet L. Gupton, J. Ellen Gainor, Claudia Barnett, Carolyn D. Roark, Elizabeth Brown-Guillory, Mary Lamb, Alan Shepard, Mary Resing and Sally Burke
Price: $29.95
ISBN: 9780817310806
Pub Date: February 2002
Format: Paperback
This timely collection addresses the neglected state of scholarship on southern women dramatists by bringing together the latest criticism on some of the most important playwrights of...
Contributions by James Fisher, Susan Kattwinkel, John E. O'Connor, Barry B. Whitham, Jonathan Chambers, Steve Ernest, Christopher Herr, Carol Burbank, Mary Trotter, Kurt Elgin, Jeff Turner and Anne Fletcher
Price: $34.95
ISBN: 9780817311117
Pub Date: July 2001
Format: Paperback
This collection of essays explores how drama can teach political principles and entertain at the same time.Political commentary is possible through "variety" theatre, this...
Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism
by Anne Fleche
Price: $24.95
ISBN: 9780817308384
Pub Date: January 1997
Format: Paperback
Mimetic Disillusion reevaluates the history of modern U.S. drama, showing that at mid-century it turned in the direction of a poststructuralist "disillusionment with mimesis" or mimicry.
Takes as a critical point of departure the idea that any literary study of theater must also include and account for the complete process by which a script is converted into a stage production
Thus, the topic title Voice of the Dramaturg allows for the requisite flexibility and provides a unifying theme for the third volume of Theatre Symposium.
