CONTENTS
List of Illustrations
The Copeland Opera House
The Masculine Transformations of “Genial” John McCullough
The Master and the Mademoiselle: Gender Secrets in Plain Sight in Antebellum Performance
The Diasporic Imagination: Introduction to Essays by Peter Reed, Adrienne C. Macki, and Christina S. McMahon
“There Was No Resisting John Canoe”:Circum-Atlantic Transracial Performance
“Talking B(l)ack”: Construction of Gender and Race in the Plays of Eulalie Spence
Employing Diaspora: Ambivalence and Utopia in Contemporary Cape Verdean Theatre
Stephen Bottoms, ed. The Cambridge Companion to Edward Albee and Edward Albee, Stretching My Mind
Trav S. D., No Applause—Just Throw Money: The Book That Made Vaudeville Famous
A. M. Gibbs, Bernard Shaw: A Life
Coleman A. Jennings, ed., Theatre for Children: Fifteen Classical Plays
Melanie Dawson, Laboring to Play: Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850–1920 andCharlotte Canning, The Most American Thing in America:Circuit Chautauqua as Performance
Julia A. Walker, Expressionism and Modernism in the American Theatre: Bodies, Voices, Words
Daniel and Beth R. Barrett, High Drama: Colorado’s Historic Theatres
Russ McDonald, Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespearean Stage
Jill Lane, Blackface Cuba, 1840–1895
Billy J. Harbin, Kim Marra, and Robert A. Schanke, eds. The Gay and Lesbian Theatrical Legacy: A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era
Neil Blackadder, Performing Opposition: Modern Theater and the Scandalized Audience
Brenda Murphy, The Provincetown Players and the Culture of Modernity
David Rush, A Student Guide to Play Analysis
Felicia Hardison Londré, Words at Play: Creative Writing and Dramaturgy
Books Received
Contributors
