Skip to content
university of alabama press logo
  • Home
  • Books
    • Column
      • New Books
      • Browse All
      • Recent Press Catalogs
      • All Authors
      • Series
      • Subjects
    • Column
      • Imprints
        • Fiction Collective Two
        • Fire Ant
        • Deep South Books
      • Journals
        • Theatre History Studies
        • Theatre Symposium
  • About Us
    • Column
      • Contact Us
      • History of the Press
      • Partners
      • Career Opportunities
  • Resources
    • Column
      • For Educators
      • For Media
      • For Booksellers
      • Rights and Permissions
      • Mailing List Signup
    • Column
      • For Authors
        • Submission Guidelines
        • Manuscript Guidelines
        • Contact An Acquisitions Editor
  • News
    • Column
      • Events
      • Author Appearances
      • UAP Exhibits
      • Blog
  • Home
  • Theatre History Studies
  • Theatre History Studies 2007, Vol. 27
Theatre History Studies 2007, Vol. 27

Theatre History Studies 2007, Vol. 27

Theatre History Studies

Edited by Rhona Justice-Malloy

by Theatre History Studies

Contributions by Mary Trotter, David Krasner, Felicia Hardison Londré, Brian T. Carney, Dorothy Chansky, Mary Barile, Michael M. O'Hara, Karl Kippola, M. Kate Sinnett, Karin Magaldi, Kristin Leahey, Stacy Wolf, Stephen Harrick, Shauna Vey, Christina S. McMahon, Brian Leahy Doyle, Peter P. Reed and Vanessa G. Baker

176 Pages, 22

  • eBook
  • 9780817380212
  • Published: November 2010

$34.95

BUY
  • Description
  • Contents
  • Authors
  • Praise
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
CONTENTS
List of Illustrations
The Copeland Opera House
The Masculine Transformations of “Genial” John McCullough
The Master and the Mademoiselle: Gender Secrets in Plain Sight in Antebellum Performance
The Diasporic Imagination: Introduction to Essays by Peter Reed, Adrienne C. Macki, and Christina S. McMahon
“There Was No Resisting John Canoe”:Circum-Atlantic Transracial Performance
“Talking B(l)ack”: Construction of Gender and Race in the Plays of Eulalie Spence
Employing Diaspora: Ambivalence and Utopia in Contemporary Cape Verdean Theatre
Stephen Bottoms, ed. The Cambridge Companion to Edward Albee and Edward Albee, Stretching My Mind
Trav S. D., No Applause—Just Throw Money: The Book That Made Vaudeville Famous
A. M. Gibbs, Bernard Shaw: A Life
Coleman A. Jennings, ed., Theatre for Children: Fifteen Classical Plays
Melanie Dawson, Laboring to Play: Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850–1920 andCharlotte Canning, The Most American Thing in America:Circuit Chautauqua as Performance
Julia A. Walker, Expressionism and Modernism in the American Theatre: Bodies, Voices, Words
Daniel and Beth R. Barrett, High Drama: Colorado’s Historic Theatres
Russ McDonald, Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespearean Stage
Jill Lane, Blackface Cuba, 1840–1895
Billy J. Harbin, Kim Marra, and Robert A. Schanke, eds. The Gay and Lesbian Theatrical Legacy: A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era
Neil Blackadder, Performing Opposition: Modern Theater and the Scandalized Audience
Brenda Murphy, The Provincetown Players and the Culture of Modernity
David Rush, A Student Guide to Play Analysis
Felicia Hardison Londré, Words at Play: Creative Writing and Dramaturgy
Books Received
Contributors

Rhona Justice-Malloy is Chair of the Department of Theatre Arts at the University of Mississippi.


“This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated . . . the subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O’Neill.”

—CHOICE





“International in scope but with an emphasis on American, British, and Continental theater, this fine academic journal includes seven to nine scholarly articles dealing with everything from Filipino theater during the Japanese occupation to numerous articles on Shakespearean production to American children’s theater. . . . an excellent addition for academic, university, and large public libraries.”

—Magazines for Libraries, 6th Edition



Connect

  • column
    • Ordering Information
      • Rights and Permissions
      • Desk/Exam Copy Policy
  • column
    • Contact Us
      • Contact An Acquisitions Editor
  • column
    • University of Alabama
      • Mission and History

© 2023 University of Alabama Press. All Rights Reserved.

Powered by Supadu