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  • Theatre History Studies 2014, Vol. 33
Theatre History Studies 2014, Vol. 33

Theatre History Studies 2014, Vol. 33

Theatres of War

Theatre History Studies

Edited by Elizabeth Reitz Mullenix

Introduction by Elizabeth Reitz Mullenix

Contributions by Rosemarie K. Bank, DeAnna Toten Beard, Amanda Boyle, Peter A. Campbell, Shawna Mefford Carroll, Miriam Chirico, Francisco Costa, Chrystyna M. Dail, Tanya Dean, Daniel C. Dennis, Rodney Donahue, Anne Fletcher, Sara Freeman, Kristi Good, Jennifer Goodlander, Anselm Heinrich, Jeanmarie Higgins, Bethany D. Holmstrom, Lisa Jackson-Schebetta, David Jortner, Keith Byron Kirk, Haddy Kreie, Franklin J. Lasik, Felicia Hardison Londré, Lewis Magruder, Elizabeth Reitz Mullenix, William Palmer, Gene A. Plunka, George Potter, Jane Purse-Wiedenhoeft, Adam Sheaffer, Alan Sikes, Li-Wen (Joy) Wang and Ariel Watson

320 Pages, 6.00 x 9.00 x 1.20 in, 18

  • Paperback
  • 9780817358075
  • Published: December 2014

$34.95

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  • eBook
  • 9780817388201
  • Published: December 2014

$34.95

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  • Description
  • Contents
  • Authors
Volume 33 of Theatre History Studies explores war. War is a paradox—horrifying and compelling, galvanizing and devastating, a phenomenon that separates and decimates while at the same time creating and strengthening national identity and community bonds. War is the stuff of great drama.
 
War and theatre is a subject of increasing popularity among scholars of theatre. The essays in this special edition of Theatre History Studies brings together a unique collection of work by thirteen innovative scholars whose work explores such topics as theatre performances during war times, theatre written and performed to resist war, and theatre that fosters and promotes war.
 
The contributors to this volume write poignantly about nationhood and about how war—through both propaganda and protest—defines a people. The contributors also delve into numerous fascinating themes that transcend time, peoples, nations, and particular conflicts: the foundations of nationalism and the concepts of occupied and occupier, nostalgia and utopia, and patriotism and revolution.
 
These essays survey a march of civil and international wars spanning three centuries. Arranged chronologically, they invite comparisons between themes and trace the development of the major themes of war. Ideas manifest in the theatre of one period recall ideologies and propaganda of the past, reflect those of the present, and anticipate wars to come.
Contents
List of Illustrations
Introduction -- Elizabeth Reitz Mullenix
Civil War Memories on the Nineteenth-Century Amateur Stage: Preserving the Union (and Its White Manly Parts) -- Bethany D. Holmstrom
Corporeal Disasters of War: Legibilities of “Spain” and the Jewish Body in Helen Tamiris’s "Adelante"! -- Lisa Jackson-Schebetta
A Doughgirl with the Doughboys: Elsie Janis, “The Regular Girl,” and the Performance of Gender in World War I Entertainment -- Deanna Toten Beard
Staging Hibernia: Female Allegories of Ireland in "Cathleen Ní Houlihan and Dawn" -- Tanya Dean
Germanification, Cultural Mission, Holocaust: Theatre in Łódź during World War II -- Anselm Heinrich
Resistance to War: Carl Zuckmayer’s "Des Teufels General" -- Gene A. Plunka
“Imposing the Standards of Boston on Japan”: "Kasutori" Performance, Censorship, and the Occupation -- David Jortner
Locating Fascism by Dislocating War: Stage For Action’s "Skin Deep" -- Chrystyna M. Dail
Binding and Unbinding Insurrection in Madagascar: Jean Luc Raharimanana’s "47" -- Haddy Kreie
Beyond Political Propaganda: Performing Anticommunist Nostalgia in 1950s’ Taiwan -- Li-Wen (Joy) Wang
Marilyn Monroe: Soldier in Greasepaint -- Kristi Good
Birnam Wood: Scotland, Nationalism, and Theatres of War -- Ariel Watson
John W. Frick, "'Uncle Tom’s Cabin' on the American Stage and Screen" -- Rosemarie K. Bank
Amy E. Hughes, "Spectacles of Reform: Theatre and Activism in Nineteenth-Century America" -- Amanda Boyle
Verna Foster, ed., "Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays" -- Peter A. Campbell
Bruce McConachie, "Theatre & Mind" -- Shawna Mefferd Carroll
Milly S. Barranger, "Audrey Wood and the Playwrights" -- Miriam M. Chirico
Karl M. Kippola, "Acts of Manhood: The Performance of Masculinity on the American Stage, 1828–1865" -- Francisco Costa
Lynne Kendrick and David Roesner, eds., "Theatre Noise: The Sound of Performance" -- Daniel C. Dennis
Tom Rutter, "The Cambridge Introduction to Christopher Marlowe" -- Rodney Donahue
Christin Essin, "Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics" -- Anne Fletcher
Claire Warden, "British Avant-Garde Theatre" -- Sara Freeman
Wendy Arons and Theresa J. May, eds., "Readings in Performance and Ecology" -- Jennifer Goodlander
Jim Linnell, "Walking on Fire: The Shaping Force of Emotion in Writing Drama" -- Jeanmarie Higgins
Soyica Diggs Colbert, "The African American Theatrical Body: Reception, Performance, and the Stage" -- Keith Byron Kirk
Andrew L. Erdman, "Queen of Vaudeville: The Story of Eva Tanguay" -- Franklin J. Lasik
Robert W. Goldsby, "Molière on Stage: What’s So Funny?" -- Felicia Hardison Londre
Simon Shepherd, "Direction" -- Lewis Magruder
Carol Martin, ed., Dramaturgy of the Real on the World Stage -- William Palmer
Eyad Houssami, ed., "Doomed by Hope: Essays on Arab Theatre" -- George Potter
Jonathan Hart, "Shakespeare and His Contemporaries" -- Jane Purse-Wiedenhoeft
Michael Y. Bennett, "Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism" -- Adam Sheaffer
Sara Warner, "Acts of Gaiety: LGBT Performance and the Politics of Pleasure" -- Alan Sikes
Books Received
Contributors

Elizabeth Reitz Mullenix is a professor of theatre and chair of the Department of Theatre at Miami University in Ohio. She is the author of Wearing the Breeches: Gender on the Antebellum Stage and the forthcoming Theatres of War: Civil War Theatre and the Performance of Nationhood in addition to articles and book reviews in the Journal of American Drama and Theatre, Theatre History Studies, Theatre Journal, Theatre Survey, and the Journal of Dramatic Theory and Criticism.

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