Contents
Prologue: A View of Mr. Handy: One Afternoon in Memphis, 1918
Chapter One: Slavery, the AME Church, and Emancipation: The Handy Family of Alabama, 1811–1873
Chapter Two: W. C. Handy and the Music of Black and White America, 1873–1896
Chapter Three: Jumping Jim Crow: Handy as a Traveling Minstrel Musician, 1896–1900
Chapter Four: Aunt Hagar’s Ragtime Son Comes Home to Alabama, 1900–1903
Chapter Five: Where the Southern Crosses the Yellow Dog: Handy and the Mississippi Delta, 1903–1905
Chapter Six: Mr. Crump Don’t ’Low: The Birth of the Commercial Blues, 1905–1909
Chapter Seven: Handy’s Memphis Copyright Blues, 1910–1913
Chapter Eight: Tempo à Blues: Pace & Handy, Beale Avenue Music Publishers, 1913–1917
Chapter Nine: New York City: National Success, the “St. Louis Blues,”and Blues: An Anthology, 1918–1926
Chapter Ten: Symphonies and Movies, Spirituals and Politics, and W. C. Handy as Perennial Performer, 1927–1941
Chapter Eleven: “St. Louis Blues”: The Final Performance, 1958
Acknowledgments
Notes
Selected Bibliography
Index