CONTENTS
List of Illustrations
Keynote Speech from the Twenty-eighth Mid-America Theatre Conference, Changing Theatrical Landscapes: Mapping New Directions in History, Pedagogy, and Practice in the Twenty-first Century
Between the Lines: Editing the Notebooks of Tennessee Williams
Research and Performance: A Roundtable on the Future of the Archive
Performance in the Archives
Performing Arts Archives: Dynamic Entities Complementing and Supporting Scholarship and Creativity
eBay, Wikipedia, and the Future of the Footnote
Period Rush: Affective Transfers in Recent Queer Art and Performance
Goon, Warrior, Communitarian, and Mythos: The Lincoln Legend of Dramatic Literature and Live Performance
Ole Olson and Companions as Others: Swedish-Dialect Characters and the Question of Scandinavian Acculturation
Games with Ghosts in Müller’s Explosion of a Memory: A Study of Pre-ideology in the Müller-Wilson Collaboration
On the Emergence of European Avant-Garde Theatre
Felicia Hardison Londré, The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theatre, 1870–1930
Jonathan L. Chambers, Messiah of the New Technique: John Howard Lawson, Communism, and American Theatre, 1923–1937
Weldon B. Durham, Liberty Theatres of the United States Army, 1917–1919
Arthur Frank Wertheim, Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers
Kristina Hinz-Bode, Susan Glaspell and the Anxiety of Expression
Daphne A. Brooks, Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910
Judith L. Stephens, ed., The Plays of Georgia Douglas Johnson: From the New Negro Renaissance to the Civil Rights Movement
Philip Auslander, Performing Glam Rock: Gender and Theatricality in Popular Music
Tennessee Williams, Notebooks, ed. Margaret Bradham Thornton
Andrew B. Harris, The Performing Set: The Broadway Designs of William and Jean Eckart
Paul Kassel, Acting: An Introduction to the Art and Craft of Playing
Scott L. Newstok, ed., Kenneth Burke on Shakespeare
Barbara Ozieblo and María Dolores Narbona-Carrión, eds., Codifying the National Self: Spectators, Actors, and the American Dramatic Text
Joseph Donohue, Fantasies of Empire: The Empire of Theatre of Varieties and the Licensing Controversy of 1894
David Krasner, ed., A Companion to Twentieth-Century American Drama
Phillip B. Zarrilli, Bruce McConachie, Gary Jay Williams, and Carol Fisher Sorgenfrei, Theatre Histories: An Introduction
Martha C. Carpentier, ed., Susan Glaspell: New Directions in Critical Inquiry, and Martha C. Carpentier and Barbara Ozieblo, eds, Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell
Kim Marra, Strange Duets: Impresarios and Actresses in the American Theatre, 1865–1914
Books Received
Contributors